⁉️ What My MFA Didn't Teach Me

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For much of my adult life I wanted to get an MFA in writing more than anything. Several things stood in my way: The MFA was expensive. I couldn't professionally (or financially) afford to drop out of my working life to attend school for a few years. I believed the MFA wasn't very practical plus there were a lot of good arguments for why the MFA wasn't all it was cracked up to be.

Yet, I yearned to be around writers and to write, and I finally decided that, practicalities be damned, I would get my MFA. I was accepted at a low-residency program at VCFA. The school was still expensive, but the low-residency aspect made working while attending school possible. I spent a couple of years writing and reading to my heart's content, and it was mostly wonderful!

MFA programs—the ones I am familiar with, anyway—tend to revolve around a series of workshops, readings, and lectures. Elements of craft are explained (free indirect speech anyone?) but mostly you learn to write to please your workshop and advisor. (This is one of the searing arguments against the MFA.)

In my MFA program, we did not talk much about storytelling fundamentals. Perhaps the program assumed we, the students, would already know how to write stories since our writing samples were good enough to admit us. I can assure you that probably most of us did not know how to build a good story. I didn't, anyway. Not in a way that I could explain to someone else.

A couple of years ago, when I decided I wanted to work with other writers, I knew I needed to shore up the areas my MFA program didn't touch. Enter Author Accelerator. It was exactly what I needed and, I must say, just about as rigorous as the MFA.

This week I received the terrific news that I passed certification with Author Accelerator! As a newly minted certified book coach in fiction, I will be able to share the incredible storytelling tools Jennie Nash developed with clients. If you have an idea for a novel and either you don't know where to start or you've started and keep stalling, stay tuned. I'll have more on ways I can help soon!

Listen. Congrats!

This week, instead of sharing something worthwhile I listened to, I wanted to congratulate a former client and subscriber of this newsletter, Reck Phillips, on his book This Vengeance is Mine. We worked together on a mini manuscript review, which is an in-depth look at the first 50 pages. I'm looking forward to reading the rest!

One of the best things about this job is getting to see my clients' books as tangible things—even if I had a small part in the overall project. It's almost as gratifying to me as it is for the writer to see the book in print!

Read.

  1. I enjoyed this essay about leveraging author readings at local libraries to build enthusiasm for your book. It's such a great reminder that your ideal readers just may hang out at the library. Anything that generates word-of-mouth buzz for your book is a great thing, plus libraries do buy the books they lend, PLUS independent bookstores often partner with libraries to provide onsite sales at author events. Winning all around!
  2. Margaret Atwood describes what a novel is to a student. She, being Atwood, has such a knack for putting ideas into words! (This is from a few years ago, but I only just ran across it.)
  3. On how to begin. Writer Celine Nguyen examines the intros to six essays.
  4. Some books I'm anticipating this year. What books are on your radar? I'd love to know.

Write.

Author Marie-Helene Bertino, whose Beautyland was my favorite book of 2024, frequently posts writing prompts on her Instagram stories. Here is one of my recent favorites: Write an unlikely love story.

Doesn't that send your imagination off in a dozen directions? Good! Follow the thread that entices you the most and go write it. ❤️


Keep writing your story,

Rachelle Newbold

Writer, Editor, Creative Mentor

Books linked above are affiliate links, which earn me a small commission (at no cost to you) should you decide to buy.


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Rachelle Newbold · 580 Coombs St · Napa, CA · 94559
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