The last couple of weeks I've been writing about the mechanics of storytelling. If you've missed it, here's where you can read about the shape a story often takes and uncovering your main character's core desire, and here's where you can pull back the lens to consider the overall point of your book.
But what does all this theory about storytelling look like in practice? How do we turn these seemingly formulaic conventions into art?
Last week I offered the idea of examining a living, breathing book and asked for suggestions. Several books were put forward, and they all are great examples of writing craft—but in different ways. I'll read them and choose one for us to dig into, likely in the early summer.
We can be keen observers of art in the wild, examining how the elements of story work in a particular piece of writing. (I'm imagining a David Attenborough voiceover right now, aren't you?) I can't wait. I'll have more in the coming weeks.