🔦 Finding the Way Into Your Story

A man riding a bucking bull

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One of the things I struggle with as a writer is finding my way into the story. I've seen a lot of other writers struggle with this, too, which is actually heartening. We know that gorgeously written narratives don't fall out of a writer all of a piece, yet when it's time for us to apply our fingers to a keyboard and start a new story ourselves, it can be discouraging how many false starts and throat clearings we have to go through until we get to the good stuff.

I know many subscribers to this newsletter are memoirists, so perhaps you'll relate to this: I've been circling around how to tell my own personal story for years. (I went to a boarding academy that occupied an old tuberculosis sanitarium and worked in a bakery that was once a morgue—how can I not write about that?) The bare facts are easy to relate, as I just did in the previous sentence, but knitting the reasons and ramifications into a story that is both personal but also in some way universal is pretty dang hard. You memoirists know what I mean!

And so I've circled around, writing snatches of scenes (the bakery/morgue is only the tip of the iceberg) trying to discover an opening into the narrative. And yesterday I found a way in. At least I think so. Now the trick is to grab onto the story by the horns and keep writing, as I so often encourage all of you to do.

I'm listening to Ruth Reichl's wonderful memoir, Save Me the Plums, and something about how she approaches her story and her past self shook something loose in me. Finally. What books have inspired or shook free your own stories? I'd love to know.


If you're having trouble finding a way to start your own story, here are some things to try:

  • Start at a point of absurdity that will tie into the overall theme of your book. (Reason: It may keep you interested and will definitely interest your eventual reader.)
  • Hone in on an object (or something relatively small that happened) that will widen into the larger story.
  • Don't worry about explaining everything at the beginning. In fact, you can't, plus you will lose your eventual reader. You've got the entire book to reveal what happened and why, and why it matters now.
  • Write the parts of your story that interest you most, even if they are just brief scenes. Don't worry about order or where the beginning of it all is. You can arrange the pieces and sew it all together later.

These are just a few ideas that worked for me and my particular project (remembering, of course, that I have a lot of writing and rewriting ahead). They may not be right for yours. I encourage you to keep investigating, keep looking at your story from different angles. Eventually, you'll find an opening.

Listen.

I've written about The Writer's Bridge before, but I want to go ahead and give them another plug. I've learned something from every conversation I've listened to. Allison K Williams and Sharla Yates are very good at bringing value to writers—and not every podcast or YouTube series does this!

One of their previous episodes, titled "Writing and Publishing in Uncertain Times," caught my eye last week. It is well worth a listen as their guest Dinty W. Moore addresses the topic of creating art in the current chaos and much more.

Here are his tips for how to stay focused on your writing in turbulent times.

  1. Speak your intention out loud: "I'm going to focus on my writing right now and not let distractions in."
  2. Know that you will fail—but over time you will push more of the distraction out.
  3. Implement "The Pause." Think about what you are doing and why before you pick up the phone, turn on the TV, or engage in whatever distracting behavior that pulls you away from your writing.

Dinty says, "Writing is one of the ways to survive this tumultuous, confusing, heartbreaking world." I happen to agree, and this is one of the reasons I believe it's so important that you (yes, you) keep writing.

The whole thing is well worth an hour of your time. Watch or listen here.

Read.

  1. I loved this essay on making space for writing in your busy life. Maybe it will encourage you, too.
  2. On the difference, in memoir, between writing about what happened and being an avatar for your reader. "'I think the writer's body should act as an avatar for the reader,' Mary Karr said in [an] interview. 'That the reader gets zipped into the writer's skin.'"
  3. Courtney Maum (Before and After the Book Deal) challenges the assertion that the Big Five publishers have killed literary fiction. It's a heartening read via The Writer's Chronicle, currently for available for free but will go behind a paywall at the end of the month.

Write.

Think about a food or a dish that you love. What makes it stand out from all the other foods and dishes you enjoy? Do you remember the first time you tasted it? What does this food represent to you? The dish or food is lens through which you can really see an aspect of yourself. Write about it.

(Inspired by the wonderful Bite by Bite: Nourishments & Jamborees, which I am currently reading.)

By the way, Ross Gay (The Book of Delights) has launched a Substack with free writing prompts every Monday, starting February 24. I'm in!


Have a great week, and grab onto that story by the horns and keep writing 💥

Rachelle Newbold

Writer, Editor, Creative Mentor

Books linked above are affiliate links, which earn me a small commission (at no cost to you) should you decide to buy.


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Rachelle Newbold · 580 Coombs St · Napa, CA · 94559
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